Wednesday, January 14, 2015

Coffee Talk Jan 14th 2015

Okay so I'm sitting here this morning, trying to write the next segment of Nosferatu Adventures, trying to write part 2 of the All Jane Austen series of posts, thinking about wrestling -cause when am I not?- having a coffee and another slice of the fruitcake, and listening to the neighbours in the hallway scream at each other drunkenly. 
What a noisy morning.  I mean man, just the ideas running around in my brain colliding with each other like two heavy weights smashing off the ropes barreling towards each other with running loud enough, but add the noise of the people in the hallway, and you've got full on tables ladders and chairs.

And you're thinking, how does Jane Austen fit with a tag team hardcore match?  Simple, it's in my brain. Seriously, heroes, villains and the perception of the bad guy.

One of the main themes running through any JA story, is how the bad boy is missed for half the story because everyone wants to believe he's as sweet as their dream man. From Wickham to Willoughby, to Mr. Elton to Mr. Churchill, to Henry Crawford to Mr. Thorpe...all the villains start off by doing something extremely heroic (in the minds of the girls they seduce) before their heel turn comes about. (usually having to do with stealing money or seducing young girls giving them a reputation or both)

Perception of the bad guy.

Then of course the underdog swoops in and saves the day. Much like a cruiser weight winning a five on one handicap match, gaining a number one contenders spot for the belt. Everyone loves the idea, they back him, cheer him, and get very upset when it's his turn to go rogue; in which case they label him a Willoughby. Or you know, worse a sell out. (sorry watching pieces of Monday night's Raw the whole Seth Rollins vs Cena vs Brock contract signing)

In the book and movie versions of the Jane Austen Book Club, there is this entire sub-plot about how Jane Austen dug bad boys. Whether or not Jane Austen meant the observations of the "bad boy" behavouir as a warning or gift of slight amusement, we may never know.  But the slightest nod of something other than complete straight laced nobility, got you labeled the villain. Ironically, all the male characters at some point show remorse for their worst offenses; of breaking the heroine's hearts, lending to a glimmer of a hero in them.

Again, perception. 

The hero. Everyone wants to be the hero, even when their not. (Seth Rollins might not ever be Mr. Darcy material, but he's hero worthy!)

till later

No comments:

Post a Comment